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Published July 13, 2015

You know who I am, don’t you?

Jane Miller’s Cuckoo would be a great movie. The writing has depth and emotion attached to it, it has you talking about it afterwards and the acting, for the most part, causes you to feel for the characters. Perhaps if it were a movie, it may not have felt so rushed and awkward.

Cuckoo - David Kambouris, Samuel Russo and Natalie Carr _Credit – Lachlan Woods
David Kambouris, Samuel Russo and Natalie Carr. Photo credit: Lachlan Woods

There’s no denying that Miller has written an exceptional play; it injects veins of humour into a deeply dark psychological story. Cuckoo tells the story of a couple whose son, Johnno, went missing seventeen years ago, and the stranger that shows up on their doorstep claiming to be said missing son. The play is carefully scripted, balancing flashbacks of Leo and Mel’s last seventeen years without their son, to the weeks following the appearance of the stranger claiming to be Johnno.

The performances from Natalie Carr and Matthew Malony are as Leo and Mel are exceptional, creating real emotion that has the audiences genuinely concerned about the wellbeing of their characters. The clever switch from the beginning of the play; Leo as the positive and optimistic figure opposed to Mel’s negative and critical one, to the end where the roles are clearly reversed is superb.

Cuckoo - Matthew Molony and David Kambouris_Credit – Lachlan Woods
Matthew Molony and David Kambouris. Photo credit: Lachlan Woods

Samuel Russo in the role of the stranger claiming to be their son plays the role in a manner that can only be described as creepy. Russo appears as instantly untrustworthy, failing to convince the audience of his claims. His childish portrayal of the character is interesting, especially with the lack of background on what exactly has happened to him over the previous seventeen years. It’s the creepy overtones that are brought to the character that let down part of the performance, perhaps if he had been more trustworthy the audience would have cared a little more, as opposed to simply focusing upon the characters of Leo and Mel.

Cuckoo is enjoyable. However, it’s not memorable. It needs more time to delve into the characters stories more, and more backstory on the flashes we were given. As said, it would make a great movie, but as a play it is lacking.

Cuckoo – Natalie Carr and Matthew Molony_Credit – Lachlan Woods
Natalie Carr and Matthew Molony. Photo credit: Lachlan Woods

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